The place from which a culture can grow
As the landscape of arts funding changes in Australia, who’s looking after the breeding grounds? Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
As the landscape of arts funding changes in Australia, who’s looking after the breeding grounds? Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Senator Brandis has declared himself the national taste-maker. Australian artists should be worried. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Perth’s newest opera company, Lost & Found, breathes new life into a lost French tragedy. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Or why does what seems so easy with Cheryl Barker turn out to be tricky with Teddy Tahu Rhodes? Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Might it be the greatest opera ever written? Limelight's Editor looks at Don Carlos' chequered history.
It’s Don G’s opening night and Opera Australia’s latest Donna Anna has all the answers. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
In an increasingly conservative music landscape, pianist Zubin Kanga is a champion of the modern. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Australia’s Jean Valjean takes time out from manning the barricades eight times a week. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Australian Ballet celebrate the "quintessentially English" master of Ballet, Frederick Ashton.
Theory versus practice? Sally Whitwell weighs in on what exactly being a composer is all about. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The May issue of Limelight explores Beethoven’s 1808 marathon concert, but how well do you know Herr van Beethoven?
Where did Ludwig go wrong? Perhaps the programming was to blame.
How does an artist commemorate the brutality of war? Composer James Ledger shares his thoughts. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in