David Robertson on conducting Tristan and Isolde
How the work of Wagner changed the way in which this conductor saw the world. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
How the work of Wagner changed the way in which this conductor saw the world. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The Australian Ballet Artistic Director shares his thoughts on the genius of Tchaikovsky. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The highs and lows of the Russian master's Terpsichorean trio.
Sydney will be a last chance to catch a once-in-a-generation artist’s fond farewell.
On choosing between classical and jazz, the old and the new, and the challenge of Rach Three.
Not only could Cage prepare a piano, he could also whip up a mean fungal ragout. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
With all of the options that today’s orchestras have, what is it that makes Historically Informed Performances so special? Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Ahead of her performances in Master Class, the actor explains her preparation for the role of La Divina. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
A short history of Chekhov’s first major dramatic work. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The SSO’s chief conductor chats to Limelight’s Editor Clive Paget about the thrills and spills of the year ahead. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The Polish pianist talks about growing up behind the Iron Curtain, battling with Bach and being his own worst critic.
The Australia Piano Quartet are thriving against the odds. APQ cellist Thomas Rann shares the secret of their success.
Faced with what seemed a creative dead end, Arnold Schoenberg discovered a radical new way to compose. Its impact has inspired and infuriated in equal measure.