Jury Duty: Ewa Kupiec’s thoughts on the Competition
The third in our series of interviews with the jurors for the Sydney International Piano Competition of Australia.
The third in our series of interviews with the jurors for the Sydney International Piano Competition of Australia.
From flame throwing brass to taxidermy Theremins, we take a look at some of the world’s most bizarre musical inventions.
The middle-period had its masterpieces, but the late works see the composer move in unexpected directions. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Martin Fröst explains his exploration of the layers of music history on his latest Sony Classical album. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
How Richard Gill got a new work out of Iain Grandage for Sydney Chamber Choir. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
It may be many people’s favourite musical, but some duff plot points means West Side Story ain’t no Romeo and Juliet.
Andrea Moor on bringing the vivid, uncompromising imagination of Joanna Murray-Smith to the stage. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
From mummy’s boy to homecoming hero, the versatile actor is getting to grips with Arthur Miller. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
A seasoned writer, the Adelaide Cabaret Festival AD reckons it’s good do it all over again. Here’s why. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Hypnotic work will be performed at a bleary-eyed sleepover at the Sydney Opera House.
Composer Barry Conyngham prepares to launch his emotional stories of rejection and reconnection into a brave new world. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
In the wake of Australian arts’ Black Friday, Creative Consultant Caroline Sharpen shares her strategies.
Isn’t it way past time that everyone started singing from the same hymn sheet?