Paul Lewis on programming three musical musketeers
From the sublime to the ridiculous, the British pianist describes the challenges of Haydn, Beethoven and Brahms.
From the sublime to the ridiculous, the British pianist describes the challenges of Haydn, Beethoven and Brahms.
The opera may be 375 years old, but with its sex, murder and lust for power it feels as contemporary as the latest HBO hit.
The Heath Quartet's double CD of Bartók’s complete string quartets has won Limelight's Recording of the Year 2017.
From road rage to Twitter rants, why can’t people behave more like concert audiences and engage brains before making a fuss?
By peering into the deepest of waters, the SSO Chief explains, Bartók shines a light on some universal truths.
The renowned musical theatre performer is relishing being in Eddie Perfect's new satirical "play with songs" about the Australian obsession with real estate.
Ahead of Monteverdi's Coronation of Poppea, Pinchgut Opera shares photographs from the rehearsals.
The Australian composer will see revivals of two of his musicals playing simultaneously in January.
The Australian composer talks about his brand new trombone concerto ahead of its premiere by Joshua Davis and WASO.
The Kiwi baritone talks about why the concert was such a hit and why he’s happy he has lots of opera in his diary.
The Australian composer talks about bringing the Six Piano Project to Oz and her new album Novum with Nimbus Trio.
One of the largest collections of Dutch masters to ever leave Amsterdam holds up a mirror to our own lives today.
Baroque violinist Rachel Podger on Mozart, Haydn and the joys of leading the Orchestra of the Age of Enlightenment.