Furlanetto on the Don
Cervantes’ idealistic knight-errant is someone every man should be for a few hours, says Italian bass Ferruccio Furlanetto, but to do the role justice on the operatic stage requires age and wisdom.
Cervantes’ idealistic knight-errant is someone every man should be for a few hours, says Italian bass Ferruccio Furlanetto, but to do the role justice on the operatic stage requires age and wisdom.
The Perth-based organist's album Midnight at St Etienne du Mont is Limelight's Recording of the Month for March.
The great Australian baritone is joined by two rising star guitarists in a personal evening of opera and song.
Slava Grigoryan's Cello Suites Volume II on ABC Classics tops The Limelight Chart – our monthly list of Australia’s best-selling classical music albums.
Growing up as a kid in New York, the conductor and author was bowled over by the two Leonard Bernsteins. Ahead of his Adelaide concerts, he explains how a fascination became a friendship.
Like Strauss, WASO’s Munich-based maestro knows a thing or two about hiking in the Bavarian mountains.
The Adelaide Biennial and Biennale of Sydney put the contemporary in contemporary art.
Now based in Paris and soon to make her Met debut, high-flying soprano and new mother Nicole Car talks to Jo Litson as she returns home for a concert tour with the Australian Chamber Orchestra and an important role debut with Opera Australia.
Steve Dow takes a look at initiatives to create work inclusive of artists with a disability. But are fear, a lack of understanding and insufficient funding holding us back?
The “connoisseur’s pianist” talks about the vitality of Beethoven’s music and the concerto that launched the Brazilian pianist’s career at age 12.
Belgian director Ivo van Hove returns to the Adelaide Festival with another thrilling, epic production.
Israel Galván, a toreador of dance and stage chameleon, is headed for Adelaide.
The British performance artist talks about tackling the C-word in her latest play.