One of the foremost interpreters of Bach, the Hungarian-born, English pianist tells us about his favourite composer, what counts as interpretation, and studying with the fierce Ferenc Rados.

Silkroad Ensemble and Mark Morris Dance Group perform Azerbaijani dance-opera at the Melbourne Festival.

How the Glaswegian pianist and serial husband became classical music’s Henry VIII.

The musical theatre star got her start as the narrator in Joseph and the Amazing Technicolor Dreamcoat, but it wasn’t long before she traded in WAAPA for a chance at Sunset Boulevard.

Enlightened thinking in Muswellbrook, New South Wales, where an innovative new independent primary school, focussing on music and creativity, is slated to open in 2020.

It’s iconic now, but it nearly didn’t happen, and its construction took its toll on all involved. As the Sydney Opera House turns 45 in the centenary of its architect’s birth, CEO Louise Herron talks about the “restrained” celebrations planned during the current major upgrade, and we share an extract from a new book about the people behind the white sails.

In her new oboe concerto for Celia Craig and the Adelaide Symphony Orchestra, Judith Weir looks at how 'the school oboe' shaped her career.

A 1955 Prince Igor joins a 2011 War Requiem in this month’s eclectic batch.

A round-up of this year’s boundary-challenging US Festival, staged in various venues including a rock club, a museum and a world heritage site.

The October 2018 issue of Limelight Magazine is now on sale featuring Daniel Barenboim, Karina Canellakis, Teatro alla Scala Ballet Company, and much more.

Making her anticipated Victorian Opera debut as Debussy’s enigmatic heroine, high-flying soprano Siobhan Stagg relishes the challenge of unravelling her character’s many contradictions.

Orlando di Lasso’s final work, written days before the composer’s death, captures the look Jesus gave Saint Peter at his betrayal. Director Peter Sellars and conductor Jenny Wong tell us about a bold staging for the Los Angeles Master Chorale.