The American soprano on mixed heritage, Peter Sellars and John Adams, and curating at NY's Met Museum.

Russia’s Sretensky Monastery Choir has a turbulent 600-year history and international clout. The choir’s regent Nikon Zhila tells us about its history and ethos ahead of performances at the Adelaide Festival.

Having observed both classical and jazz musicians at work, Guy Noble weighs up the similarities and differences.

In their new book, Robyn Dalton and Laura Ginters chronicle a generation at Sydney University which arguably had a bigger influence on Australian cultural life than any single group before or since.

Returning to perform in Opera in the Market after a decade, the soprano discusses what it's like to work with young singers, her artistic ethos, and the joys of audience reaction.

Not only the celebration of a remarkable life, but a celebration of human life with music at its heart.

The clarinettist and conductor will perform Mozart’s masterpiece with the Melbourne Symphony Orchestra before jumping on the podium to conduct Paul Dean’s brand new Clarinet Concerto.

Though he played the piano badly as a child, the playwright developed a keen love of music. He recalls how including Berlioz in one of his plays influenced the lighting of the Olympic Flame in Sydney.

The Artistic Director of 3MBS's Dvořák Marathon talks about the Czech composer's overlooked gems.

The rising star composer tells us about working with the Flinders Quartet, Brett Dean, and the perspective you get learning a work from the inside.

The bassist and co-artistic director of Silkroad Ensemble discusses the group's identity since Yo-Yo Ma's departure, its upcoming Australian tour, and how to bring the bagpipe and the kamancheh together.

The stars of Victorian Opera’s upcoming production of Parsifal talk the holy fool and the wandering Jew.