Artists and audiences return to New Zealand's Adam Chamber Music Festival year after year. "We’re a festival that looks after people,” says Artistic Director Gillian Ansell.

Danes complete their Prism project, Bychkov delivers a blistering Resurrection, outstanding Beethoven from Ohlsson in the mountains, and Piers Lane goes to town . . . again!

Jack Liebeck explains how his life fell into place when a violin was put into his hands at age eight, and how he has programmed the Australian Festival of Chamber Music, where he is the new Artistic Director.

Concert pianist Simon Tedeschi has written his first book, Fugitive, “an undiluted portrait” of himself and the world he lives in, which he describes as a “prose poem”.

A round-up of our recent news reports.

Artistic Director Piers Lane explains how this year's Sydney International Piano Competition has adapted to taking place online.

Tamara-Anna Cislowska tells us about a concert at Sydney Festival that will see six pianists play six grand pianos in the Sydney Town Hall.

Piers Lane, whose new album is Limelight's Recording of the Month, explains why once recognised masterpieces can grow to be underestimated and neglected.

In his day, Ferdinand Ries inspired Schumann and Liszt. Now, Australia’s favourite pianist is rediscovering for Hyperion the concertos of a composer who forms the missing link between Beethoven and Chopin.

In his new concerto for two pianos inspired by James Gleeson’s surrealist art, Carl Vine asks what’s to be done with two heroes?

From the Western Australian goldfields to an international concert, broadcasting and film career, pianist Eileen Joyce was a true original, as Will Yeoman discovers in a new book.

The pianist talks about his new recording, which sees him playing four different historic pianos for four different works.