As Wesley Enoch prepares his fifth and final Sydney Festival, we look at the successes and controversies of his artistic directorship, and whether the self-acknowledged risk-taker might follow his sister into politics.

While live performance is returning, travel restrictions due to the coronavirus pandemic mean virtually no international artists will tour here. Will we seize the chance to create a greater space for Indigenous, female and ethnically diverse voices to speak to us about Australia today?

From flygskam to hazardous air quality, the changing climate is increasingly having an impact on classical music and the arts. Angus McPherson considers how artists and organisations are rising to meet these challenges, and asks what role the arts can play in the face of a climate crisis.

The founder and artistic director of Tenebrae talks about the choir's latest trip Down Under.

Co-writer and co-director Lucy Moss discusses the hit musical SIX about the six wives of Henry VIII, and writing some songs for Courtney Act.

As Bran Nue Dae, Australia’s first Aboriginal musical, returns for a 30th anniversary production, Associate Director Naomi Pigram discusses why the show is so important, and why it made her feel excited and proud when she first saw it as a teen.

The true story of Johnny Mullagh and the Aboriginal cricket team that toured England.

Curator Daniel Browning and artists participating in Momentum at Barangaroo will be joined by Yo-Yo Ma next Tuesday.

Simon McBurney’s first Schaubühne production, Beware of Pity, comes to the Sydney Festival.

Director Imara Savage talks about the challenges of staging the Australian premiere of Kaija Saariaho’s strange, contradictory oratorio about the life of French philosopher and mystic Simone Weil.

In the December 2018 edition of Limelight Magazine we pay tribute to Richard Gill's extraordinary life and legacy. Plus, the standout CDs of 2018.

Inua Ellams’ joyous play set in London and Africa has proved a cut above the rest.

It took Danish ensemble Between Music ten years to become the world's first underwater band. They're now bringing their show Aquasonic to the Sydney Festival.

Ahead of its run at Sydney Festival, writer, director and designer David Morton talks the development of his play about Charles Darwin.

The Canadian composer explains her addiction to '90s screen culture and karaoke in Sex, Lynch and Video Games.

Richard Katz and British company Complicite take you deep into the jungle for an immersive, mind-bending Encounter.