With classical record stores around the country closing their doors as streaming becomes the new way to listen to music, Phillip Scott shares his life-long passion for collecting classical music on vinyl and CD.

Meet the new classical superstars.

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The Kronos Quartet will perform a “live documentary” at next month’s Melbourne International Arts Festival. But what is it? A concert, a film or a lecture? Ben Wilkie explores the project, which defies easy categorisation.

The crossover artist talks about growing up in Wales, the discipline of choral music, and her approach in the recording studio.

As sales of CDs and downloads continue to decline, and online streaming becomes the most popular way of listening to music, we investigate how these changes are affecting the classical music industry – from the ramifications for labels, artists and listeners, to the innovators making streaming more classical-friendly.

Philippe Jaroussky was one of the first countertenors to meet with international stardom. He tells Mélissa Lesnie about his new album, conducting his first opera, and passing on what he’s learned.

Clive Paget looks at what we can learn about Tchaikovsky the man by listening to the music with the help of Maestro Semyon Bychkov, who has just released new recordings of the complete symphonies and piano concertos.

Conjuring Italo Calvino’s 1972 novel Invisible Cities on stage seemed an impossible but irresistible challenge. Leo Warner and Sidi Larbi Cherkaoui tell Olivia Stewart how they and their creative team have used every possible tool to (loosely) bring the book to life.

In 2018, aged 10, he won the Junior First Prize at the Yehudi Menuhin Violin Competition. Now he is playing with the likes of the Australian Brandenburg Orchestra and Sydney Symphony – after a banana.

Simon Phillips talks about meeting Tom Stoppard, how The Real Thing is beautiful as well as brilliant, and why Australian actors need to understand that for Stoppard the brain is sexy.

English actor Maxine Peake is known for portraying tough, complex women. She talks to Justine Nguyen about making her Australian stage debut in a play about a woman undergoing IVF, and the toll it takes on her, before presenting an immersive performance piece about the Velvet Underground’s Nico.

How Lee Hall has adapted Tom Stoppard’s love letter to the theatre for the stage.

The Ukrainian-born violinist’s Stradivarius was slated to give the world premiere of Tchaikovsky’s Concerto, but its former owner had other ideas.

Ahead of his trip to Tasmania, the young American virtuoso extols the joys of Tchaikovsky’s Concerto and defends it from the criticisms of its first dedicatee, Leopold Auer, and the venomous Eduard Hanslick.

The Artistic Director of 3MBS's Dvořák Marathon talks about the Czech composer's overlooked gems.