Collaborators from way back realise their magnum opus.

Lise Davidsen's debut excites, but Vasily Petrenko and Yusif Eyvazov also shine in Tchaikovsky's tale of terror.

Meet the new classical superstars.

This tribute to the German actor-musician is as enigmatic as its subject.

A free three-month trial will allow you to listen to this month's hottest new recordings.

Highlights include a rare symphony by Anton Eberl and Haydn's ever-popular Creation.

A unique experience that's more about the journey than the destination.

The Kronos Quartet will perform a “live documentary” at next month’s Melbourne International Arts Festival. But what is it? A concert, a film or a lecture? Ben Wilkie explores the project, which defies easy categorisation.

As sales of CDs and downloads continue to decline, and online streaming becomes the most popular way of listening to music, we investigate how these changes are affecting the classical music industry – from the ramifications for labels, artists and listeners, to the innovators making streaming more classical-friendly.

Philippe Jaroussky was one of the first countertenors to meet with international stardom. He tells Mélissa Lesnie about his new album, conducting his first opera, and passing on what he’s learned.

Clive Paget looks at what we can learn about Tchaikovsky the man by listening to the music with the help of Maestro Semyon Bychkov, who has just released new recordings of the complete symphonies and piano concertos.

With Johnny Carr and Geraldine Hakewill shining in the central roles, Simon Phillips' production is the real deal.

Eleven-year old violinist Christian Li proves to be something rather extraordinary in this ABO concert.

Conjuring Italo Calvino’s 1972 novel Invisible Cities on stage seemed an impossible but irresistible challenge. Leo Warner and Sidi Larbi Cherkaoui tell Olivia Stewart how they and their creative team have used every possible tool to (loosely) bring the book to life.

In 2018, aged 10, he won the Junior First Prize at the Yehudi Menuhin Violin Competition. Now he is playing with the likes of the Australian Brandenburg Orchestra and Sydney Symphony – after a banana.

Simon Phillips talks about meeting Tom Stoppard, how The Real Thing is beautiful as well as brilliant, and why Australian actors need to understand that for Stoppard the brain is sexy.