LOG IN to read this article. This article is only available to Limelight’s subscribers. SUBSCRIBE NOW to gain access and you could win a night out in Melbourne with the Australian World Orchestra. To have your password reset please EMAIL US or phone (02) 8227 6486.
Growing up with Pinchas Zukerman’s famous tone ringing in his ears, it didn’t take much to persuade Israeli composer Avner Dorman to compose a double concerto to celebrate the violinist’s significant year.
Much more than an iconic place of worship, for centuries Notre-Dame de Paris has been a pillar of French culture, holding a special place in the history of music. Mélissa Lesnie witnessed it burn. Beginning in the Middle Ages, she explores its changing sounds.
One of classical music’s famous failures, Beethoven’s Violin Concerto tanked at its premiere in 1806. What’s less well-known is how the notoriously difficult composer was persuaded to recast it for piano.