Box office success and visitor booms have seen the Festival generate a considerable amount of gross expenditure for the state.
In 2014, Ivo van Hove excited audiences at the Adelaide Festival with Roman Tragedies – his award-winning conflation of Shakespeare’s Coriolanus, Julius Caesar and Antony and Cleopatra. Performed in Dutch with surtitles, it ran an unbroken six hours and yet it kept audiences gripped. Now, Toneelgroep Amsterdam is returning to Adelaide for the 2018 Festival with Van Hove’s latest Shakespearean epic, Kings of War. Running a mere four hours this time, the production – which is set in a modern war room – joins and distils five Shakespeare plays, Henry V, the three Henry VI plays and Richard III, to create a study of power that has resonated strongly with audiences in Amsterdam, Paris, London and New York. Kings of War. Photo © Jan Versweyveld Describing it as a “thrilling…cold-eyed, hot-blooded work”, The New York Times said: “Kings of War takes the home-viewing pleasures associated with serial television portraits of cutthroat schemers, like those in House of Cards and The Sopranos, and magnifies them to the proportion of grand opera.” The Independent in the UK described it as “a coolly penetrating appraisal of political leadership in an age of chronic media-manipulation… brilliantly directed by Ivo van Hove”. The Belgian director is