In-concert operas are sometimes regarded as the poor relation of their fully staged cousins. But can less be more?

Barrie Kosky brings his production of The Threepenny Opera to the Adelaide Festival. He talks about creating it with the Berliner Ensemble.

In a nail-bitingly close contest, an independent label carries off the top prize.

The Melbourne-born singer talks about preparing for her second Ring Cycle with Opera Australia, and the friends she’s made along the way.

We trace Handel’s journey to London and talk with Erin Helyard of Pinchgut Opera, which is about to stage its first Handel opera – Rinaldo.

On the eve of Opera Australia’s ‘Digital Ring ’, we examine Wagner’s timeless epic.

The English Concert's music director explains why every bar of Serse is worth recording.

Salut! Baroque's Sally Melhuish explains how competition and rivalry became a catalyst for creativity in English music.

The director of Melbourne Opera’s Ring Cycle recalls the classical input of her grandparents, and being astonished when she first heard an opera singer’s voice in rehearsals.

The jovial British conductor reveals a very personal relationship with Handel's masterpiece, as he prepares to conduct his arrangement with Melbourne Symphony Orchestra.

As he prepares for Sydney Symphony Orchestra’s upcoming People’s Choice and Fidelio concerts, Concertmaster Andrew Haveron talks to us about exploring new territory in the world of opera.

Packing a picnic hamper and joining opera lovers in black-tie on the train to see Alcina is an integral part of this year's Glyndebourne experience.