In her first column, Deborah Jonestakes some time in isolation for a considered look at Alexei Ratmansky’s Cinderella, created for The Australian Ballet, and details the many delights to be found within it – which explain why the Russian-American choreographer is unrivalled today as a maker...

Access our paywalled content and archive of magazines, regular news and features for the limited offer of $3 per month. Support independent journalism.

Subscribe now or log in to continue reading.