A fter ruffling a few feathers across the pond when Jesus Christ Superstarlanded on Broadway, you might think that uppity young Brits, Andrew Lloyd Webber and Tim Rice – now pillars of respectability as Lord Lloyd Webber and Sir Tim – would have thought twice before immortalising a fascist dictator in song. Musical theatre history teaches us that Evitaconquered the West End before carrying off seven Tony Awards on Broadway (though not before the American critics had had their say). Now Hal Prince’s 30-year-old original production – the blueprint for most subsequent stagings – is returning to Australia. So how did such unusual subject matter become box office gold, and why have actors from Elaine Page and Patti LuPone to Tina Arena and Madonna fought so hard to play Eva Perón?

“It’s a Cinderella story about a remarkable woman,” an affable Sir Tim Rice tells me over the phone from his home in England, before talking me through the show’s genesis. “I heard a radio program about her in the car by accident and thought this is an interesting story. And if a story intrigues me, it might well intrigue other people.”

This article is available to Limelight subscribers.

Log in to continue reading.

Access our paywalled content and archive of magazines, regular news and features for the limited offer of $3 per month. Support independent journalism.

Subscribe now