Following the success of his Winterreise recording with Erin Helyard, David Greco tells us about giving Schubert's younger, more optimistic song cycle the HIP treatment.

JS Bach regularly tops polls as the greatest composer of all time. Today we celebrate his 335th birthday by asking some of our top Bach performers why he's so extraordinary.

Erin Helyard on getting HIP with Richard Tognetti.

Vivaldi’s Farnace is a potent examination of betrayal and loyalty, as well as the thirst for vengeance. Director Mark Gaal reveals how his production for Pinchgut Opera is tackling all these themes head on.

The standout CDs of 2019 plus music for your Christmas stockings, Bran Nue Dae at 30, David Williamson's final curtain call, and we interview Richard Mills.

Comparisons to the piano seem wrong-headed, says Erin Helyard, the Artistic Director of Pinchgut Opera. A virtuoso on the harpsichord (and fortepiano), he believes it’s the instrument on which Bach sounds best.

Returning to Sydney to take on a more dedicated role as AD of Pinchgut Opera, Helyard talks the company’s first concert of the season, his wish-list operas, and what he’s been up to in the recording studio.

Long a champion of Johann Adolph Hasse, American mezzo-soprano Vivica Genaux waxes lyrical about a composer whose vocal writing she compares to the act of spreading peanut butter.

In a roundtable chat, mezzo-soprano Vivica Genaux and artists of Pinchgut discuss the weight of history in the Australian premiere of Hasse's opera.

From fine food and wine to Bach in the Barns, the festival celebrates the wonders of what Tasmania has to offer.

Festival Director Allanah Dopson and harpsichordist Erin Helyard give us a taste of the upcoming festival, now in its second year.

Ahead of the release of his period-instrument Winterreise for ABC Classics, the Australian baritone talks about preparing this monumental song cycle with the help of some 19th-century singers.

Ahead of its Australian premiere, Bernard Labadie talks to Justine Nguyen about his string arrangement of Bach’s towering Goldberg Variations.

After directing Theodora for Pinchgut in 2016, Lindy Hume is back to tackle another Handel oratorio, this time Athalia. She writes about why this rather arcane work is another Handelian masterpiece.

A new opera company run by young artists will have its first ever performance this month. We speak with tenor Spencer Darby about AOC's inception and Handel's Ariodante.

The opera may be 375 years old, but with its sex, murder and lust for power it feels as contemporary as the latest HBO hit.