Wundig wer Wilura: Love in the details
Sometimes, says opera director Matt Reuben James Ward, it's the little things that count when building a bridge from the mythic past to the present day.
Why the two wildly different productions are both such hits, and asks how the misogynistic opera is received today.
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I particularly enjoyed the 2016 Opera Australia production of Cosi Fan Tutte, and visually it was more beautiful than Glyndebourne production. Taryn Fiebig was the best Despina. The Jonathan Miller productions I found fascinating. I directed Louis Nowra play entitled simply Cosi and it was huge fun doing the choreography of the finale. I would not describe it as a misogynistic opera. It depicts misogyny, certainly but I don’t think Mozart sided with the blokes and after watching many productions it is always Fiordiligi, Despina and Dorabella that captivate me, not the chaps, even if their voices are superb, which they were: David Portilo and Andrew Jones.