February 25, 2021
The work is the brainchild of baritone Joshua Hopkins whose sister was murdered in 2015.
February 24, 2021
Musicians Simone Slattery and Gabriella Smart have created aural responses to the Clarice Beckett exhibition at the AGSA, leading to live performances and a recorded soundscape in the Gallery.
February 24, 2021
The media executive and composer reveals the myriad threads weaving through his program for Adelaide Festival's Chamber Landscapes at UKARIA.
February 23, 2021
Yaron Lifschitz, AD of Circa, explains how Aardman's much-loved animated TV show is playing tricks in Brisbane.
February 22, 2021
Log in to read the PDF version of Limelight's March 2021 magazine.
February 22, 2021
Andrew Ford’s new project proves the right idea for strange times.
February 22, 2021
Find out what's on stage – and streaming online – in January & February from Limelight editors Jo Litson, Angus McPherson and Clive Paget.
February 22, 2021
Yvonne Frindle investigates why Margaret Sutherland's forward-looking orchestral composition has been so unjustly ignored.
February 22, 2021
Steve Dow explores the history of Adelaide's Her Majesty's Theatre and its latest renovation, which fuses the old and the new.
February 22, 2021
You can’t ‘fake news’ your way out of a bad performance, which is why many musicians suffer the curse of perfectionism, says Guy Noble.
February 22, 2021
Let’s do away with the label ‘minimalism’, says Robert Veel.
February 22, 2021
With the new Melbourne Conservatorium set to be an enduring testament to his career, Australian composer and academic Barry Conyngham has finally retired – though he’s still writing music.