Life after Bach: Suzuki’s Missa Solemnis yields mixed results.

Glorious sound perhaps, but nothing particularly different.

Hanna makes a 20th-century Italian footnote Hipp again.

Jonathan Biss’s latest Beethoven appears headed for seventh heaven.

Coogan and Rudd entertain as a pair of unlikely gay dads.

Tuck’s second Czerny concerto disc proves Beethoven’s mate far from second rate.

Heavenly Twins: Vaughan Williams’ Fifth and Sixth prove two sides of a classy coin.

More ice than fire in Pollini’s belated Debussy part two.

In Brahms, the best is the enemy of the good.

A Canadian’s tribute to Glenn Gould fairly hums along.

Lugansky’s latest label-hop delivers 24 of the best.

Tinalley applies plenty of French polish and Aussie character to boot.