Schumann's year of magical thinking.
The German baritone tells us about his Schumann album, Limelight's Vocal Recording of the Year 2019, and why in a couple of years he plans to stop singing.
Sam Allchurch delivers clever programming and choral finesse in Sydney Chamber Choir’s final concert for 2019.
Sam Allchurch will present a series of masterworks in 2020, including two world premieres.
A gripping collaboration, brimming with ideas, from the Omega Ensemble and The Australian Voices.
The MSO Chorus delivers the “London” version of the Brahms Requiem with great energy.
The winners were announced at the Peggy Glanville-Hicks Address at Melbourne Recital Centre, presented this year by Deborah Cheetham.
The epic cantata retelling the story of Bunuba resistance hero Jandamarra returns to Sydney, in a concert by the Sydney Conservatorium of Music.
Six Australian compositions have been shortlisted for the prestigious Orchestral and Song Cycle prizes, which will be announced at this year’s Peggy Glanville-Hicks Address.
Vespers in the afternoon prove a delightful spring treat.
In Brett Weymark and Sydney Philharmonia Choirs, Dvořák’s rarely performed Requiem has found convincing advocates.
The beloved broadcaster tells us about her favourite Requiems, and why Berlioz didn't make the cut, ahead of her new series on ABC Classic.
The tenor tells us about recording Janáček’s The Diary of One Who Disappeared, Limelight's Recording of the Month in September.