The Sretensky Monastery Choir brings a powerful sound to sacred and secular Russian music.
Russia’s Sretensky Monastery Choir has a turbulent 600-year history and international clout. The choir’s regent Nikon Zhila tells us about its history and ethos ahead of performances at the Adelaide Festival.
The Song Company delves deep into the Eton Choirbook in vibrant performances with an edge of danger.
Elaine Chia has been inundated with messages of support after penning an open letter in response to negative comments about City Recital Hall’s co-presentation with Sydney Gay and Lesbian Mardi Gras, Requiem Mass: A Queer Divine Rite.
The ACO and the Estonian Philharmonic Chamber Choir interweave Bach and Pärt with ethereal beauty.
In Sydney to work with Gondwana and the Sydney Philharmonia Choirs, the renowned British choral conductor talks about the power of choral singing and why for the UK, Brexit is the biggest single disaster of his lifetime.
Douglas Lawrence is advocating the “no sauce” approach in his 2019 season, which will see the choir embark on an 18-day tour of Europe.
The Australian Brandenburg Orchestra's annual tradition kicks off the Christmas season.
Inventive arrangements of traditional carols and Christmas songs, and a luscious new work by Australia's Luke Byrne.
The German bass-baritone talks Handel, Bach and Frankenstein ahead of the Melbourne Symphony Orchestra's Messiah.
Blue Heron's Music Director tells us about The Lost Music of Canterbury, Limelight's Recording of the Month in December.
A Remarkable Journey: From Canterbury to Oxbridge via Boston with Blue Heron.
The Gabrieli Consort's Artistic Director Paul McCreesh talks about A Rose Magnificat, Limelight's Vocal Recording of the Year 2018.