This production of Terence Rattigan's quintessentially English drama never quite finds its groove, despite a strong performance from Marta Dusseldorp.

This adaptation of Peter Goldsworthy’s novella is big-hearted but not fully realised in its look at love and death.

British director Phelim McDermott has been obsessed with Philip Glass’s music since the early 1980s. He talks to Jo Litson about meeting the legendary composer, directing his operas, and the dream in a flotation tank which led to their first direct collaboration.

The artist, designer and director on closing Theatre of Image, publishing a 30th anniversary book, and adapting and designing a ballet of The Happy Prince.

Sparks fly between Rose Byrne and Bobby Cannavale in Simon Stone's visceral modern Medea.

S. Shakthidharan and Eamon Flack’s sweeping drama has won the $100,000 Victorian Prize for Literature.

This intriguing, whacky cabaret-cum-sketch show whisks you into the subconscious.

Roland Peelman, Claire Spencer, Tim Minchin, Caroline O’Connor, Hugo Weaving and Wesley Enoch are among those recognised in the 2020 Australia Day Honours.

A new small-scale musical about a long-distance relationship is a promising calling card for its writers, though the story could be stronger.

This fun satire about 1950s domestic bliss is more style than substance.

One of David Williamson’s last new plays, this dark comedy feels urgent, incredibly topical and invigorating.

A meditation on love, loss, connectivity and a heartfelt reminder of the power and symbolism of the written word.