Review: Gaslight (State Theatre Company South Australia)
In a masterstroke of deceit, director Catherine Fitzgerald paints a heavy picture on a light canvas with her production of Patrick Hamilton’s 1938 thriller.
In a masterstroke of deceit, director Catherine Fitzgerald paints a heavy picture on a light canvas with her production of Patrick Hamilton’s 1938 thriller.
Before Limelight returns to print, we reveal some of the stories that will feature in our refreshed, redesigned magazine, and what to look out for online.
Metro Arts Creative Director and CEO Jo Thomas introduces us to the exciting, purpose-built venue, which will host several Brisbane Festival events.
Hamilton's Musical Director and orchestrator discusses how he loves being Lin-Manuel Miranda’s “co-pilot”, performing together at the White House, and why he hopes Hamilton will bring about change.
A feast of fine music re-opens QPAC’s new local performance series.
The Crowd Favourite Performances Competition is open to performers aged 10 to 35, with eight prizes to the value of $6,000.
Michael Cassel, Benjamin Law, Trudy Dalgleish, Eddie Perfect, Simon Phillips and Ursula Yovich are among 11 industry leaders participating in the new arts mentorship program.
Creating the Future, a new survey conducted by the Australia Council, shows a growing number of people have been engaging with the arts and support arts funding.
The Australian director tells us about the latest season of Shakespeare Republic, filmed by actors in lockdown in their homes.
The company returns with a socially distanced season of Angus Cerini’s new play Wonnangatta, starring Wayne Blair and Hugo Weaving.
Tickets have gone on sale for the Sydney season, which will open in June 2021. Producer Rodney Rigby explains why he feels optimistic about bringing the heartwarming musical back to Australian stages.
The prestigious musical theatre scholarship has come under fire after announcing an almost entirely white cohort of semi-finalists – and again for its “jawdropping” response to criticism.
The company returns to the stage, adhering to strict COVID-Safe guidelines, with Anita Hegh in A Room of One’s Own.