Review: 44 Sex Acts in One Week (Belvoir)
A solid cast and a few bursts of genuine laughter could not firm this limp, over-extended play.
A solid cast and a few bursts of genuine laughter could not firm this limp, over-extended play.
A marvellous adaptation of a heart-warming tale for our times, brilliantly recreated by shake & stir theatre co.
Gillian Cosgriff explains how a creative collective formed during COVID has launched a podcast. In the first series, Bert LaBonté tells the story of the still birth of his daughter Meg.
Vengeance and resolution, exorcism and benediction, this excellent new production captures the visceral drama of Angus Cerini’s remarkable play.
Limelight celebrates 200 issues with features on video game music, Paganini’s favourite violin, how the arts and sports are teaming up.
In transferring the much-loved film to the stage some of the magic has been lost, though Elsa's Let It Go is spell-binding.
Graced by a uniformly excellent cast, Kate Champion’s assured directorship, bounteous humour, and an evocative, finely toned production, Kendall Feaver's adaptation of My Brilliant Career is, in a word, brilliant.
The Australian Haydn Ensemble, Omega Ensemble and Melbourne Digital Concert Hall’s New South Wales program – to include 100 concerts in 2021 – are among the recipients in Round 1 of the 2020/21 Arts and Cultural Funding Program.
Brisbane’s shake & stir theatre co puts the past, present and future (as well as a hurdy-gurdy) into Christmas as Nick Skubij explains.
The first half of the year will kick off with a Summer Series of five works in development ahead of two mainstage plays, both two-handers.
The Golem is a stupendous piece of theatre.
Staged as if in a circus big top, this exhilarating, magical production thrills and delights at every turn.
An enormously enjoyable production that recalls the madcap experiments with musical theatre launched out of the 1970s Australian New Wave theatre movement.