Inspired by Vivaldi's Four Seasons, there are some lovely visual and musical effects, but the production doesn't get to grips in real depth with the issues promised.

You really won’t believe what James Galea and his band of merry magicians can do in a new Sydney Opera House revue.

Having picked up a paintbrush as a creative outlet during the COVID lockdown, Tim Draxl starts the year with his first major solo art exhibition.

Seann Miley Moore, currently performing in Rent, and Glace Chase, soon to star in trans love story Triple X, talk to Steve Dow about gender diversity in Australian theatre.

Melbourne’s first major theatre production in ages is an accessible alfresco romp.

Ben Neutze discovers how Sydney Theatre Company’s universally acclaimed production magically melds old theatricality with cutting-edge technology.

Shaun Rennie's production finds its emotional groove in the second act when the musical itself gives the characters more room to breathe.

Log in to read the PDF version of Limelight's January–February 2021 magazine.

Jansson J. Antmann, Steve Dow, Deborah Jones and Ian Whitney analyse this year’s offerings in theatres and concert halls.

Affectionately known as ‘Frosty the Showman’, the impresario, who is currently co-producing Pippin, explains why classic musicals feature large in his life and work.

Sexual freedom and the subconscious in Shakespeare’s A Midsummer Night’s Dream.

Find out what's on stage – and streaming online – in January & February from Limelight editors Jo Litson, Angus McPherson and Clive Paget.