ABC presenter Joel Carnegie discusses his solo show Stardust about his jazz musician grandfather, which is touring with Tom Molyneux's performance about his Gunditjmara great-great-uncle.

Sarah Goodes directs this intimate new play about three generations of women.

Nathan Maynard's brilliant, spring-loaded script is so ready to be told, asking provocative questions about blood and belonging, truth and identity.

In the first of three articles, Shaun Rennie offers some fascinating insights into his work on OA's La Bohème and Phantom of the Opera on Sydney Harbour, as well as Bell Shakespeare's new musical The Lovers.

Australia’s arch storyteller gets to tell his own story at last.

In his biggest role to date, Joshua Robson will don the mask of the Phantom of the Opera. He tells Limelight that the stars aligned for him this time and that he is "beyond words" at landing the role.

Killing Katie is currently playing at Sydney's Ensemble Theatre. It was Tracey Trinder's first and last play, commissioned and rehearsed before she died last year. There is now an award named in her honour.

Returning to the stage for the first time in two years, the singing icon shows he has lost nothing vocally and shares more about his life than ever before.

The Picture of Dorian Gray and Symphonie Fantastique pick up four awards each at a “family reunion” after two devastating years.

Noongar man Ian Michael will spend this year at STC gaining experience as a director, while Courtney Stewart has been appointed as STC's Directing Associate.

Tom Stoppard's latest (and possibly last) play, screening in Australian cinemas from 5 February, may not be his greatest but it may be his most valuable.

Experienced executive Viv Rosman takes over the role from longstanding ED and company founder Glenn Terry.