Hannah Reilly and Megan Washington discuss their new musical The Deb, which they hope will leave you feeling much lighter than when you entered the theatre.

Brisbane’s contemporary circus company defies genres with this thrilling and contemplative new work.

There is much to ache through in Will Arbery's 2019 Pulitzer Prize-nominated play, which is masterfully directed by Craig Baldwin and superbly performed.

Shaun Rennie discusses his work as Assistant Director on Phantom of the Opera on Sydney Harbour and the challenges posed by torrential rain, wild winds disrupting the use of the cranes, COVID and his unexpected appearance.

Tania de Jong discusses the creation of the new musical based on the lives of her grandparents, Austrian/Australian sculptor Karl Duldig and his artist/inventor wife Slawa Horowitz-Duldig.

Five new appointments have been made to the board as the federal government prepares for the election.

Renowned director Kate Champion will take over as Artistic Director, with Ian Booth stepping in as Chief Executive Officer.

There's not much about the Phantom that Guy Simpson doesn't know, having worked on 15 productions since 1990, so how has he approached OA's Sydney Harbour production?

For the first time since the scholarship was introduced in 2008, two mid-career designers have been honoured.

Industry researchers say 2022 Budget ends COVID support far too early, as an especially dire picture emerges for film and television and for regional arts.

Shane Jenek as Courtney Act is irresistible in Noël Coward's supernatural farce.

Direct intervention by governments in arts subsidy has increased dramatically in the past decade, says Josephine Caust in this extract from her new, free Platform Paper Arts, Culture and Country.