The Golem is a stupendous piece of theatre.
Staged as if in a circus big top, this exhilarating, magical production thrills and delights at every turn.
An enormously enjoyable production that recalls the madcap experiments with musical theatre launched out of the 1970s Australian New Wave theatre movement.
"It's been a journey," says Co-Artistic Director Rachel Healy as the Adelaide Festival announces a program featuring 10 world premieres, 14 Australian premieres, and 18 events exclusive to the festival.
In its 40th birthday year, the Melbourne theatre venue and incubator has turned an annus horribilis into an opportunity to evolve.
Kip Williams' dazzling stage adaptation of Oscar Wilde's gothic melodrama, brilliantly performed by Eryn Jean Norvill, speaks to the here and now.
Review: The Wharf Revue – Good Night and Good Luck (Sydney Theatre Company presented by Riverside Theatres)
The final Wharf Revue under the STC banner is a night of frivolity and fast costume changes, where all that is puffed up in politics is satisfyingly pricked.
Adelaide Festival Co-Artistic Directors Rachel Healy and Neil Armfield have been honoured with the Arts Leadership Award.
The new-look Limelight magazine includes major features written by Mahima Macchione, Jane Albert, Carole M. Cusack and Alex Ross.
Leading playwrights and directors talk about how to honour the original book, while breathing new life into it for the theatre.
Find out what's on stage and streaming online in December from Limelight editors Jo Litson, Angus McPherson and Clive Paget.
An incredibly moving and visually delightful work about family, empathy and memory.
The Brisbane theatre company will present two world premieres in the first part of its 2021 season, with more plays to be announced in 2021.