Review: School of Rock (Sydney)
Brent Hill and a terrific cast of children ensure that Andrew Lloyd Webber’s musical, based on the film, is a real blast.
Brent Hill and a terrific cast of children ensure that Andrew Lloyd Webber’s musical, based on the film, is a real blast.
The 12-year old multi-instrumentalist reached final call-backs to play bass, but ended up being cast as the drummer. She tells us about singing, composing and falling in love with musicals.
Kate Gaul's gloriously camp, cross-gender production makes the G & S operetta feel fabulously fresh.
Tommy Murphy’s new play puts patriarchal power under the microscope.
A stirring adaptation of Sophocles’ tragedy, galvanised by exceptional performances from its two leading actors.
Curator Daniel Browning and artists participating in Momentum at Barangaroo will be joined by Yo-Yo Ma next Tuesday.
Julia Bullock is haunting in Katie Mitchell's exploration of Schumann's Dichterliebe and a whole lot more.
The commercial producer discusses his collaborative partnership with NIDA to develop a new Australian musical.
Isabelle Adjani in a stage adaptation of Cassavetes' Opening Night, acclaimed choir Tenebrae, and a tribute to Reg Livermore's Betty Blokk-Buster feature.
An operatic adaptation of Lars von Trier’s Breaking the Waves, a trio of choreographic responses to Beethoven’s Grosse Fuge, and choral settings of all 150 psalms are amongst the highlights.
This fresh, fearless, very funny play is bursting with ideas and heralds an exciting young playwright.
Anthony Warlow finally plays the dual title roles live in an impressive semi-staged concert.
A powerful musical with a serious political message, that is joyously uplifting and entertaining at the same time.