How the Australian Chamber Orchestra went with the flow for its latest film project.
Basque band have home ground advantage for some ripping Ravel.
Australians deserve to hear a great deal more music by First Nations peoples, women, gender non-conforming people, composers of colour, and our male contemporaries argues Felicity Wilcox.
Spanish maestro Jaime Martín should prove a hit as Melbourne Symphony Orchestra’s new Chief Conductor.
Paul Goodchild retires from the Sydney Symphony Orchestra after 41 years.
The West Australian Orchestra, conductor Asher Fisch and soloists Elena Perroni and Adrian Tamburini navigated Brahms' German Requiem beautifully.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
This year’s APRA Professional Development Award winners include composer Connor D’Netto, and musical theatre writers Hugo Chiarella and Naomi Livingston.
This was an elegant, well-programmed concert by Canberra Symphony Orchestra, with the world premiere of Kim Cunio's CO2 and the Ice Core the clear highlight.
This generous, well-chosen overview of Australian composition by women, curated by Anne Cawrse for Adelaide Symphony Orchestra's She Speaks, was eloquently and sympathetically played.
Founded by Hans Zender, the Happy New Ears Prize for Composition has been awarded to composer and academic Liza Lim.
The organisers of Musical Chairs: The Administrators Orchestra discuss their audacious plan to shake up the arts admin industry.
This Sydney Symphony Orchestra concert is the last chance for a while to hear cellist Umberto Clerici, before he takes up the baton full-time.