Daniel Barenboim brings his Brahms cycle with the Staatskapelle Berlin to a stunning conclusion.
In a masterful first performance, Daniel Barenboim and the Staatskapelle Berlin prove the audience is in good hands for this Brahms odyssey.
Despite notable ups and downs, Ian Whitney’s annual report into the number of Australian works performed by the major orchestras sees little improvement year on year.
SYO Chief Conductor Alexander Briger remembers the orchestra’s inspirational former chief and asks why youth orchestras don’t do more opera.
Andris Nelsons paints the two faces of Shostakovich.
The Latvian conductor talks to Limelight about his latest Shostakovich disc with the Boston Symphony Orchestra, Limelight's Recording of the Year for 2018.
David Robertson's Mahler Five suggests just how much the SSO has assimilated Mahler into its DNA.
A concert all the more interesting for its elements of surprise.
In his latest work for the West Australian Symphony Orchestra, Lachlan Skipworth evokes the unique rock formations of WA.
The SSO's former chief Edo de Waart gives a muscular account of Beethoven's final symphony.
An orchestra may not be able to bring peace but it can at least help foster understanding, believes Daniel Barenboim. The outspoken advocate for reconciliation in the Middle East, and committed music educator, talks to Clive Paget as he prepares to visit Australia for the first time since 1970.
The Chinese pianist tells us about his special relationship with the music of Chopin, and how he gears up for a performance, ahead of concerts in Melbourne and Sydney.
The Tasmanian Symphony Orchestra celebrates its 70th birthday in high-octane style.