New York's premier summer festival may not be mostly Mozart these days, but it sure has plenty to offer.
Johnny van Gend will be the first ANAM student to participate in the Bavarian State Opera’s Orchestra Academy as part of a new partnership between the two organisations.
A colourful, folkloric concert that warmed up the Sydney Town Hall for the SSO's seasons to come.
Dove gets his due: Maximum colour and excitement from a post-minimalist.
Beethoven and Bruckner in a night of dramatic contrasts.
This issue includes features on Léo Delibes' Sylvia, Shostakovich's Fourth Symphony, Golden Age string instruments, and composers Schumann and John Kander.
Explore the history of Delibes' Sylvia, why Shostakovich's Fourth Symphony was so dangerous, and discover what makes 'Golden Age' instruments so special.
A true marriage of minds results in an unforgettable concert.
Amidst all the crowns and fireworks, it was Emma Black’s oboe that really sparkled.
Viola takes centre stage, and Schubert’s 'Great' is just that.
A Stravinsky double bill with the MSO reveals the power of Spring.
The 16-year-old violinist tells us about preparing for her performance as soloist in Vivaldi’s La Tempesta concerto with the ACO Academy.
It was the sound of the “long-slidey-thing” that opened up the world of classical music for this conductor. He reflects on the influence of Kleiber, his time as an orchestral assistant, and his passion for new music.