In his latest work for the West Australian Symphony Orchestra, Lachlan Skipworth evokes the unique rock formations of WA.

The SSO's former chief Edo de Waart gives a muscular account of Beethoven's final symphony.

An orchestra may not be able to bring peace but it can at least help foster understanding, believes Daniel Barenboim. The outspoken advocate for reconciliation in the Middle East, and committed music educator, talks to Clive Paget as he prepares to visit Australia for the first time since 1970.

The Chinese pianist tells us about his special relationship with the music of Chopin, and how he gears up for a performance, ahead of concerts in Melbourne and Sydney.

The Tasmanian Symphony Orchestra celebrates its 70th birthday in high-octane style.

A freewheeling line-up of guest conductors and concerto soloists will keep the orchestra on its toes in its year between Chiefs.

In her new oboe concerto for Celia Craig and the Adelaide Symphony Orchestra, Judith Weir looks at how 'the school oboe' shaped her career.

The October 2018 issue of Limelight Magazine is now on sale featuring Daniel Barenboim, Karina Canellakis, Teatro alla Scala Ballet Company, and much more.

Sharpen, who first heard the orchestra play at age seven, will begin a five year contract in 2019.

Ahead of his residency at ANAM, the Scottish conductor explains how Mozart's three final symphonies contain every emotion of the human spirit.

A sparkling account of the New World from Xian Zhang and the MSO.

Norwegian maestro Eivind Aadland will commence a three-year engagement with the TSO from 2020.