Nézet-Séguin luxuriates in Mahler’s most grandiose conception.
The conductor talks to Clive Paget about his recording of Mahler's “Symphony of a Thousand” with the Philadelphia Orchestra, Limelight's Recording of the Month in April.
Things are impermanent, life is impermanent, but music and the arts are lasting joys.
We speak to MSO Managing Director Sophie Galaise about the success of the orchestra’s live streams, and how the organisation hopes to craft a model that might help other orchestras and small to medium ensembles ride out the COVID-19 crisis.
The young Shostakovich's incidental music for Mayakovsky's farcical play proves a delight.
In response to Stephen Hough's anecdote about ageing audiences, Elizabeth Quinn shares the story of her elderly friend meeting Sir Andrew Davis after his farewell MSO concert.
Vivid musical storytelling from Alexander Shelley and the SSO.
The Peruvian maestro with a diary full of Australian dates talks to Clive Paget about career choices, composers who float his boat, and how a zero-waste lifestyle has enabled him to turn garbage into art.
Exciting period performances of well-known classics alongside a 19th-century rarity.
The Australian Chamber Orchestra violinist tells us about the orchestra's upcoming Arvo Pärt & Shostakovich program.
Authorities have described the case, which saw an audience member diagnosed with the coronavirus after Saturday’s Absolute Beethoven concert, as “low risk” for other patrons and staff.
Matthew Laing will work closely with the orchestra over the course of the year-long program
The composer and violist has withdrawn from his upcoming engagement at the Adelaide Festival after being hospitalised with the coronavirus.