Amber Wagner blazes as Puccini’s icy princess.
Australians make a strong case for Saariaho’s well-travelled oratorio, but can’t entirely overcome the work's curiously dissatisfying nature.
After success abroad, the singer has received a $25,000 grant for artistic development.
A cast of uncommon distinction headed by Joyce El-Khoury's powerful Mimì makes this revival feel anything but routine.
Director Imara Savage talks about the challenges of staging the Australian premiere of Kaija Saariaho’s strange, contradictory oratorio about the life of French philosopher and mystic Simone Weil.
We reveal our 2018 Artists of the Year. Other features include The Magic Flute, Meryl Tankard's Two Feet and Australian Brandenburg Orchestra at 30.
Inside this issue: 2018 Artists of the Year, The Magic Flute, Meryl Tankard's Two Feet, Australian Brandenburg Orchestra at 30, Leonardo Da Vinci 500.
The Lebanese-Canadian soprano tells us about her musical friendship with Lorin Maazel, singing Mimì and Musetta, and bringing to life rarely performed works.
The former Opera Australia chorus member has been sentenced to three years in prison for sexually assaulting a 14-year-old girl.
The bass-baritone will give recitals featuring his favourite opera arias and musical numbers.
The American mezzo delivered a Baroque rockstar performance, but the Orchestra of the Antipodes was no mere backing band.
The Brazilian baritone on being Mr Evita, Tony Awards and the importance of good coffee.
The Australian mezzo-soprano turned 80 this week. Roger Neill looks back on her top-flight international career and stream of first-rate recordings.