The Brazilian baritone on being Mr Evita, Tony Awards and the importance of good coffee.
The Australian mezzo-soprano turned 80 this week. Roger Neill looks back on her top-flight international career and stream of first-rate recordings.
With the year drawing to a close, we look back over the operas that wowed our critics in 2018.
Sydney Chamber Opera will premiere a new Australian opera based on Peter Carey’s novel Oscar and Lucinda as part of the Sydney venue’s 2019.
Graeme Murphy's sparkling production of The Merry Widow is sure to please Adelaide audiences.
In the December 2018 issue of Limelight Magazine we pay tribute to Richard Gill's extraordinary life and legacy, and our critics pick 2018's standout CDs.
In the December 2018 edition of Limelight Magazine we pay tribute to Richard Gill's extraordinary life and legacy. Plus, the standout CDs of 2018.
Strong music making, including a compelling performance by Vivica Genaux, is hampered by hands-off direction.
When the Hong Kong Philharmonic asked Klaus Heymann if Naxos would record its Ring cycle he thought it was “a crazed idea” but agreed anyway. We discover how the orchestra, under Jaap van Zweden, struck (Rhine)gold with the ambitious project.
Ormandy’s Bluebeard rides again, plus Edo, Martin and Maurane on Eloquence.
Take a peek at what's happening in Pinchgut Opera's rehearsals for Artaserse, opening in Sydney this Thursday.
As two of the 100 judges on Channel 7’s singing show, Jacqui Dark and John Longmuir explain why they took part, and why they’d never be contestants.
The composer tells us about conducting Doctor Atomic, Limelight's Opera Recording of the Year 2018.