Singers from Australia, New Zealand, China and Hong Kong will compete for a place in the Cup’s semi-final this October.
Director Greg Eldridge discusses how he’s coming to grips with Aribert Reimann’s Ghost Sonata, an operatic adaptation of a Strindberg play that’s all about the lies we tell ourselves in order to survive.
A revival of Summer of the Seventeenth Doll, a Verdi blockbuster, two musicals and a visit from Les Arts Florissants.
Salome and Die Tote Stadt should satisfy opera lovers and gore aficionados, while Tommy does the rest.
The beloved soprano reflects on her new role as WAAPA’s Head of Classical Voice and Opera Studies ahead of her From Broadway to La Scala tour.
Shania Eliassen and Matthew Dixon were presented with awards after attending a masterclass with Richard Bonynge.
Delightful takes on 1980s pop songs bookend an almost nonsensical chamber opera.
Concert performances of Fidelio by WASO, the return of Cloudstreet and a celebration of Gurrumul are among the shows announced.
Lyric Opera of Melbourne's new production of Barry Conyngham's 1984 opera about aeronautical pioneer Lawrence Hargrave is enriching and ennobling for all.
The versatile director discusses his touring production of Hair, opening tonight, The Selfish Giant for VO, and a new song cycle.
Hilary Bell's smart libretto underpins an intriguing new opera about the first woman to run for president of the US.
Two operas rarely seen in Australia, some more familiar fare, four musicals, digital stagings and the future of opera – OA's Lyndon Terracini discusses the lot.
Lorelei gets a second life, Opera Australia's digital Aida comes to town, and Simon O'Neill stars in Tristan und Isolde.