Freeze Frame Opera presents an operatic Play School and has a whale of a time.

Find out what's on stage – and streaming online – in January & February from Limelight editors Jo Litson, Angus McPherson and Clive Paget.

A splendid life and times of an Australian theatrical design icon.

Ahead of his performance as Bluebeard for Opera Australia, the bass tells Limelight about the challenges of the role, singing in Hungarian, and his casting as Wotan in the upcoming Ring Cycle.

The company has set aside 2,000 tickets to John Bell’s monumental Tosca for people who have not previously purchased tickets for an Opera Australia performance.

Insisting he has “no unhappiness with Opera Australia”, Jeffes says the “extraordinarily difficult decision” to resign as CEO is very much “a personal decision”.

Malcolm Arnold's frothy operatic trifle rediscovered – and about time.

Ahead of his Australian debut as Oberon at the Adelaide Festival, the Brooklyn-born countertenor talks to Limelight about faith, politics, and how a raffle ticket changed his life.

With social justice an integral part of its message, The Cooperative looks set to make waves.

Melbourne’s opera drought breaks with a multi-year Ring cycle’s bold start.

Ernani is a feast for the ears but rather less so for the eyes.

The opera company has introduced rapid antigen testing in order to reduce the risk of transmission of the virus between performers and staff.