The soprano, who dropped the double bass for singing lessons as a teenager, talks about Puccini’s heroines, her multifaceted career, and her upcoming star turn as a mermaid.
Stockholm may be a long way from Darwin, but for the DSO's former Music Director it's home from home.
Ahead of its Australian premiere at the OzAsia Festival, we speak to director Kirsten Dehlholm about an opera drawing on Noh theatre and performed by the Latvian Radio Choir.
Friends and colleagues reflect on the life of the artist manager and founder of Diva Management, who lost her two-year battle with breast cancer earlier this month.
A report by Live Performance Australia has shown that much of Victoria's increase in audience and revenue share has been driven by musicals.
Artistic Director Patrick Nolan tells us about his first program for the company, at the centre of which are works by John Adams, Puccini and Gluck.
Duncan Rock makes a spectacular Don in this feminist production by Lindy Hume.
Verdi's Macbeth, Sweeney Todd and La Traviata in the Park are on the cards for Perth audiences.
Rossini’s now rarely seen take on Shakespeare’s tragedy is hampered by the plot’s hollowed out drama.
Soon to take on the Don for Opera Queensland, the bass-baritone discusses his first encounter with the opera, its crucial moments and why he’d compare the title role to tofu.
This adaptation of Atwood's novel is the best of the bunch at this new opera festival.
Ahead of directing the Australian premiere of Rossini’s Otello, the legendary director waxes lyrical about the qualities of this overlooked masterwork.
Whiskey and opera: the perfect combination for a chilling site-specific performance in a cemetery.