The rising star soprano is one of 20 finalists in this year's prestigious competition, which launched the careers of Dmitri Hvorostovsky and Bryn Terfel.

The two will produce and co-commission major opera productions to be seen in Adelaide over the next three years.

William Christie's spirited revival of an antiquated artform proves there's life in Rameau's old dogs yet.

As she prepares to unveil her Salome for Opera Australia, soprano Lise Lindstrom discusses the role’s myriad challenges, finding empathy for a ruined princess, and why she had to leave Nilsson behind.

The American soprano on mixed heritage, Peter Sellars and John Adams, and curating at NY's Met Museum.

Michael Fabiano makes a promising role debut, but the real star is Elena Maximova's vividly realised Charlotte.

Returning to perform in Opera in the Market after a decade, the soprano discusses what it's like to work with young singers, her artistic ethos, and the joys of audience reaction.

First presented to Dame Joan Sutherland, the Opera Australia Trophy recognises Moshinsky’s service to the company and contribution to Australia’s operatic landscape.

A delightful production that is as intoxicating as Papageno's pink cocktail, while acknowledging the darker elements in Mozart's opera.

A musically excellent, perceptively designed and directed production of Wagner’s final opera.

Luke Styles’ strong score is impressive in this new chamber opera, though the storytelling could be developed.

Melbourne’s yearly awards ceremony for the performing arts celebrates 2018's outstanding achievements.