Liza Lim's 'cut-out' opera about life, death and the consequences of mad scientists has earned itself a second staging.
As OA releases its 2017 Annual Report today, Rory Jeffes discusses the operating deficit and into the future.
The May 2018 issue of Limelight Magazine reveals what really motivated the original, hard-working, hard-living, musical genius – Leonard Bernstein.
Opera Australia was the biggest winner of the night taking home nine gongs, while My Fair Lady and Aladdin dominated the musical theatre category.
Ahead of her Violetta for Opera Australia, we give the American soprano the Five Questions treatment.
The latest issue of Limelight Magazine, with maestro Riccardo Muti, Simon Russell Beale on The Death of Stalin and Greta Bradman, is now available for subscribers to read online.
The Orava Quartet's debut album on Deutsche Grammophon tops The Limelight Chart – our monthly list of Australia’s best-selling classical music albums.
Damien Ricketson and Adena Jacobs' The Howling Girls is an immersive, dream-like exploration of trauma and voice.
Andy Morton finds a beautiful balance between the intimate and the epic in his harbour-side Bohème.
The Heldentenor will perform his signature role in Australia for the first time since 2009.
This 60-CD box set includes 20 full operas and at least 15 “must-haves”. Clive Paget explores a collection of outstanding value that is also a terrific introduction to core repertoire.
The great Australian baritone is joined by two rising star guitarists in a personal evening of opera and song.
Brett Dean’s intense, immersive new opera makes for a thrilling start to this year’s Adelaide Festival.