Jo Litson talks to producer Michael Cassel and two cast members about creating a distinctly Australian-looking production of Hamilton, and why that’s so important.
Simon Gleeson, Natalie O’Donnell and Callum Francis are heading to Launceston for this year’s festival.
The Hayes is back on the boards with a genre-defying concert.
New AD Alan Cumming presents a taster of his full line-up (to be announced next March), with his own new cabaret show closing the festival.
The versatile performer will take the reins of the 2021 program after the Festival's move to an online season this year.
Opera Australia's Il Viaggio a Reims, the musical Come From Away, and the musical play Barbara and the Camp Dogs were among the winners.
The leading musical director has had to retire from her busy career in musical theatre due to a rare, neurodegenerative condition.
On March 22, Stephen Sondheim turns 90. Clive Paget traces the career of the legendary composer and lyricist, who is one of the most important and influential figures in 20th-century musical theatre.
As Bran Nue Dae, Australia’s first Aboriginal musical, returns for a 30th anniversary production, Associate Director Naomi Pigram discusses why the show is so important, and why it made her feel excited and proud when she first saw it as a teen.
With Shrek and Fun Home headed our way, the composer talks about her love affair with musical theatre and why she keeps a Stephen Sondheim mask on a shelf in her studio.
With the year drawing to a close, we look back over the musicals that wowed our critics in 2019.
Natalie Bassingthwaighte and the stunning ensemble are drop-dead gorgeous in a musical that could have been written yesterday.
New York's premier summer festival may not be mostly Mozart these days, but it sure has plenty to offer.