Opera di Roma’s riveting, genre-defying production is made for this age and is one for the ages

Lynden Barber surveys British heritage TV and the continuing fascination with the world of Jane Austen.

The program for this year's MIFF has been curated with compassion, ambition, sensitivity and range, and will be presented in a new model, both in cinemas (COVID permitting) and online.

Creative State 2025 aims to grow and strengthen a diverse and innovative arts industry for Victoria.

The Australia Council report, In Real Life: Mapping digital cultural engagement in the first decades of the 21st century, looks at how audiences have adapted to digital performance platforms.

How the Australian Chamber Orchestra went with the flow for its latest film project.

This outback family adventure story turns the Crocodile Dundee fish-out-of-water story inside out.

In this month's column, Lynden Barber praises the storytelling efficiency of TV comedy and examines a film with a Maori theme.

In a personal documentary David Gulpilil looks back at his life and screen career.

Lynden Barber celebrates Latin American cinema with Chile’s Ema and Argentina’s Heroic Losers.

Award-winning film composer Stephen Warbeck, who wrote and directed The Man in the Hat with John-Paul Davidson, talks to Limelight about how he wanted his music to affect his hatted protagonist, not just the audience.

The performances are marvellously subtle but the film often feels soporific.