May 21, 2018
Taryn Fiebig on returning to the stage
After surgery and chemotherapy, the popular soprano performs in The Creation for Sydney Philharmonia Choirs, alongside husband Jud Arthur.
May 11, 2018
Review: The Gate of Glory (The Choir of Christ Church Cathedral, Oxford, Stephen Darlington)
Stephen Darlington delivers yet more glories from Eton via Oxford.
May 11, 2018
Review: Quella Fiamma (Nathalie Stutzmann/Orfeo 55)
Ancient meets modern in Stutzmann’s judicious treatment.
May 11, 2018
Review: Bach: St John Passion (Apollo’s Fire/Jeannette Sorrell)
A new St John Passion with plenty of passion to spare.
May 11, 2018
Review: Fauré (Yale Schola Cantorum/David Hill)
A hybrid favourite gets the intimate chamber treatment.
May 11, 2018
Review: Mirages (Sabine Devieilhe)
Sabine Devieilhe conjures impressions of great beauty.
May 9, 2018
Review: VOX (Sydney Philharmonia Choirs)
Highlighting emerging voices, this was a fine hour of Australian choral music.
May 3, 2018
The Limelight Chart: May 2018
Fresh from their recent tour for Musica Viva, Sabine Meyer and Alliage Quintett top The Limelight Chart – our monthly list of Australia’s best-selling classical music albums.
April 19, 2018
Review: Debussy Songs Volume 4 (Lucy Crowe, Malcolm Martineau)
An accomplished, thoughtfully rendered Debussy recital from Lucy Crowe.
April 18, 2018
Australian choir on its way to Carnegie Hall
Curtin University’s Rhythmos Choir is the only Australian ensemble to be invited to perform in The King Singer’s 50th anniversary celebrations.
April 17, 2018
Review: A Tasmanian Requiem (Gap in the Fence)
A monumental work revealing Tasmania's disturbing history.
April 16, 2018
Review: When We Were Children (Hamer Singers)
A shared vision results in a superb sheen and finish to the Hamer Singers' sound.
April 16, 2018
Review: A German Requiem (Deutsche Kammerphilharmonie Bremen)
After 150 years, Paavo Järvi brings Brahms' German Requiem back to St Peter’s Cathedral in Bremen.
