Review: Why do the nations? (Canberra International Music Festival)
Like the best festival programmes, this is one to provoke debate and disagreement.
Like the best festival programmes, this is one to provoke debate and disagreement.
The arts sector is up in arms over management proposals to decimate arts coverage at SMH and The Age.
Sydney's Met musos indulge in a little musical vodka.
Jessica Pratt could bring the house down in her sleep.
Thrilling choral theatrics abound when the church goes to the opera.
Walton's The Twelve the highlight in the Consort's latest offering.
Mahlerian big finish makes up for problematic choices earlier.
An exceptional farewell from a young quartet with great potential.
The new instrument, valued at $1.4 million, is an Amati and was played by the cellist Amaryllis Fleming.
The in-demand Australian maestro talks about a life of the road and the importance of the message behind the music.
The University of Tasmania’s Conservatorium cites a new focus behind the decision to axe the summer school.
Now musical theatre royalty, Nancye Hayes reminisces about her first radiogram and why she’d never make a ballerina.
The winner will get to appear in a production at one of the opera houses represented by those on the jury.