Review: Gripping Shostakovich (Sydney Symphony Orchestra)
Ashkenazy and Müller-Schott offer up a mighty sequel.
Ashkenazy and Müller-Schott offer up a mighty sequel.
The conductor sees his role in Genoa as opening up all sorts of possibilities for Australian artists.
Homecoming queen Danielle de Niese sings and dances her way through this lavish new production.
Not only are we continuing to expand our music and arts coverage, we now have a new-look website.
The section principals have issued a statement in support of the conductor and CEO David Pratt amid allegations of a "toxic culture".
Rachel Podger and OAE deliver stormy darkness and warm, sunny light.
The Orchestra's Chairman refutes an "aggressive" story, but a former employee corroborates some of the criticisms.
Sako Dermenjian, in his first year at the Sydney Con, will perform at a festival showcasing the talents of refugees and migrants.
The Kiwi baritone talks about why the concert was such a hit and why he’s happy he has lots of opera in his diary.
The Australian composer talks about bringing the Six Piano Project to Oz and her new album Novum with Nimbus Trio.
Robert Macfarlane delivers robust tone and diction to die for as Belshazzar.
Digital entry for the rebooted awards, now under the management of the Music & Opera Singers Trust, is open until March 6.
Bizet at Trump’s border wall brings back a certain relevance.