Five questions for Sabine Meyer
Ahead of her tour with the Alliage Quintett, the clarinettist talks about the unique colours of clarinet and saxes.
Ahead of her tour with the Alliage Quintett, the clarinettist talks about the unique colours of clarinet and saxes.
From Glyndebourne rehearsal room to triumphant opening night, British tenor Allan Clayton recalls the roller coaster ride involved in bringing Brett Dean’s complicated new Hamlet to life.
Arts Illuminated Pty Ltd, which publishes Limelight, is looking for a new publisher or for bridging financial support to save the magazine from closure.
The composer of Katrina Ballads reflects on the issues that made great art out of disaster.
The company has also announced that Yarmila Alfonzetti will take up the role of Executive Director from March 1.
Local soprano Lee Abrahmsen leads a handsomely sung but theatrically underwhelming production of Wagner’s tragic love story.
Riley Lee’s shakuhachi had Lachlan Skipworth heading to Japan. Now he’s melding its haunting melodies with orchestral forces.
Ahead of his Opera Australia debut as Don José, the Argentine tenor talks favourite sopranos, fantasy dinner guests, and guilty pleasures.
Thirteen of Australia and New Zealand’s most promising young classical musicians will take part in the SSO's prestigious training program.
The early music pioneer has revived treasures from the world’s four corners. We learn about an early passion for Elvis and some wise words of Mark Twain.
A new opera company run by young artists will have its first ever performance this month. We speak with tenor Spencer Darby about AOC's inception and Handel's Ariodante.
Shostakovich was 20 when he began writing The Nose. Barrie Kosky was around the same age when he fell in love with it.
Emanuel Ax and David Robertson launch the SSO's Mozart Celebration with dramatic orchestral fireworks.