This Appl didn’t fall very far from Fischer-Dieskau’s tree.

Life after Bach: Suzuki’s Missa Solemnis yields mixed results.

Glorious sound perhaps, but nothing particularly different.

Hanna makes a 20th-century Italian footnote Hipp again.

Jonathan Biss’s latest Beethoven appears headed for seventh heaven.

Fresh from The Dallas Opera’s Hart Institute summer residency at The Juilliard School, conductor Carolyn Watson writes about what this unique opportunity means.

Five string quartets and five piano trios have advanced to the Semi-Finals, which take place today, ahead of the Grand Finals on Sunday.

Hough rocks the Rach Pag while Edwards' Earth Spirit Songs soar again.

A fully-staged version of Rossini’s William Tell hasn’t been seen in these parts for over 140 years. But, as director Rodula Gaitanou says, so much of this work remains just as relevant to us today.

Actor Don Hany was raised on a steady diet of Beethoven and Brahms, as well as Jackson and Cohen. Now learning the violin, he’s revisiting the classics while preparing for his turn as the dashing Nick Arnstein.

The baritone is one of the guest artists at this year’s Festival, where he’ll be performing as well as giving masterclasses.

Two years on from his Sydney International Piano Competition win, the busy Russian pianist tells us about new friends, new recordings and hearing your own inner voice.