It may have taken Ross Fiddes 36 years to get around to it, but with Love Stories, he seems to be making up for lost time.

The Senior Lecturer at the Sydney Conservatorium of Music discusses being an academic composer and introduces his new song cycle in our first ever Limelight In-Depth column.

An audience member jumped in mid-show when a production of La Bohème had to replace its ailing tenor.

After winning the first 2018 season of 3MBS’s The Talent, the New Zealand-born flautist tells us why collaborating with peers and performing the music of living composers is so important to her.

You – our readers – share your thoughts about the performances you’ve loved, the stories that have piqued your interest and the state of musical life in Australia.

In her new work Ruler of the Hive for narrator and orchestra, Melody Eötvös draws on the monologues of Shakespeare's leading 'ladies'.

Grace and some spicy paprika from an exciting young Hungarian cellist.

These charming miniatures are a perfect antidote to world-weariness.

You’ll recognize these names: Jayson Gilham, Alex Raineri, Daniel de Borah, Amir Farid and Tony Lee. They have all won the Australian National Piano Award.

Symphonic dress still tends to be traditionally black and formal. Mairi Nicolson wonders whether it’s time to shake things up a bit and offer orchestral musicians something stylish, contemporary and comfortable.

Pettersson’s dark journeys again illuminated by Lindberg.

Philippe Jordan’s fine new Beethoven cycle marches on.