Alban Gerhardt on Brett Dean’s new Cello Concerto
"The cello is being treated as a cello, and not as some trumpet-violin gone crazy," the German cellist says ahead of the world premiere with the Sydney Symphony Orchestra.
"The cello is being treated as a cello, and not as some trumpet-violin gone crazy," the German cellist says ahead of the world premiere with the Sydney Symphony Orchestra.
An energetic symbiosis between Camerata and Julian Bliss.
Simon Phillips' entertaining production of The Turk in Italy gives Rossini's comedy plenty of sparkle.
Spanish classics and a new Milliken work with the Adelaide Symphony Orchestra's artistry.
From sublime singing to ridiculously good comedy, this new production is the next big step up for a small opera company.
Fortune smiles on The Orlando Consort yet again.
In the high art of countertenors Mehta shows he’s all class.
Blessed be the Bliss-makers, for they have rediscovered a long-forgotten gem.
Delectable Debussy degustation with French fries on the side.
Novel take on music of Baroque master yields new insights.
Kolesnikov takes aim at the French Baroque and hits the bullseye every time.
The Australian saxophonist gives us some reel talk about the new concerto, which draws on traditional Scottish dance forms, ahead of its Australian premiere with the Adelaide Symphony.
Rossini may have made his name and fortune as a master of comedy but a closer look at his life and work reveals a character of no little depth and darkness.