Review: A Soprano’s Schubertiade (Carolyn Sampson)
A new foray into Schubert Lieder proves an ideal partnership.
A new foray into Schubert Lieder proves an ideal partnership.
With Moye Chen’s ‘worlds’, it’s a case of three out of four ain’t bad.
Pahud flies solo with works old and new, but Solo fails to land.
Melnikov’s Érard makes for impressive Debussy, period.
For Paul Lewis, Papa Haydn turns ought to be no laughing matter.
It’s all about risk, explains David Chisholm, Artistic Director of the Bendigo International Festival of Exploratory Music.
A stunning Elektra, Salome and much more, the last great singer of her generation passes at 101.
Not so much a new music tasting plate as a sumptuous multi-course banquet.
A feast of Russian music, conducted by Sarah-Grace Williams, attracts a full house.
With Mimir returning to the Melbourne Con, we talk to founder Curt Thompson about what to expect from this acclaimed festival in 2018.
This theatre piece about Death is ingenious and thought-provoking but still has some way to go to reach its full potential.
Ahead of her concert performance of Die Walküre Act I with the MSO, the Dutch soprano discusses the joys of singing one of her signature roles.
Could classical music pick up some runs from cricket? Pianist Chris Lloyd takes to the crease to suggest that concerts might expand their boundaries and score better if they looked to sport.