The Iranian-American harpsichordist tells us about his new album, The Passinge Mesures, Limelight's Recording of the Month in January/February.

Elizabethan age returns: A skilful, curious harpsichordist delivers another masterful recital.

Violinist Simone Slattery talks about her avian collaboration with cellist Anthony Albrecht, which tours Tasmania in January.

A cast of uncommon distinction headed by Joyce El-Khoury's powerful Mimì makes this revival feel anything but routine.

Director Imara Savage talks about the challenges of staging the Australian premiere of Kaija Saariaho’s strange, contradictory oratorio about the life of French philosopher and mystic Simone Weil.

Raised on Charlie Pride and the music of the 60s, the Artistic Director of Sydney Festival recalls how a student production of The Marriage of Figaro made him change his mind about classical music.

We reveal our 2018 Artists of the Year. Other features include The Magic Flute, Meryl Tankard's Two Feet and Australian Brandenburg Orchestra at 30.

Inside this issue: 2018 Artists of the Year, The Magic Flute, Meryl Tankard's Two Feet, Australian Brandenburg Orchestra at 30, Leonardo Da Vinci 500.

Once again, we asked our reviewers and readers to vote for the Australian and International Artists of the Year. But this time, we have chosen critics’ and people’s choice awards.

Limelight's 2018 Australian Artist of the Year: Critics' Choice talks about her artistic principles, the luxury of choice and taking on America in the seasons to come.

Limelight's International Artist of the Year: Critics' Choice, Jordi Savall talks about his connection to Australian audiences, the musical legacy he wants to leave behind, and his upcoming Beethoven Project.

The winner of Limelight’s International Artist of the Year: People’s Choice reflects on her collaboration with Penderecki, quokka selfies and her plans to return to Australia with a new project.