Matt Laing on the advantages of being a violist
The rising star composer tells us about working with the Flinders Quartet, Brett Dean, and the perspective you get learning a work from the inside.
The rising star composer tells us about working with the Flinders Quartet, Brett Dean, and the perspective you get learning a work from the inside.
The bassist and co-artistic director of Silkroad Ensemble discusses the group's identity since Yo-Yo Ma's departure, its upcoming Australian tour, and how to bring the bagpipe and the kamancheh together.
A vibrant and eclectic blend of two contrasting cultures to create a unique and exhilarating concert.
The appointments to the previously all-male Board follow changes to the Constitution designed to increase diversity and inclusiveness.
Proof, should it be needed, that music truly does transcend time and space.
Omega Ensemble's intimate launch with a trio of trios.
Britain’s renowned Baroque ensemble cut to the musical chase of Purcell’s semi-opera, with beautiful if not Arthurian results.
QSO's first concert for 2019, with pianist Paul Lewis, lives up to its name.
The stars of Victorian Opera’s upcoming production of Parsifal talk the holy fool and the wandering Jew.
Frustrated by the confines of classical music, conductor Charles Hazlewood formed the British Paraorchestra for professional musicians with a disability, which is on its way to the Perth Festival.
Pianist Kathryn Selby tells us what she looks for in musical friends ahead of Selby & Friends' Root Position tour.
She joins a long list of classical music luminaries including Rostropovich, Isaac Stern, and Kaija Saariaho.
A new study reveals that musicians with Absolute Pitch have larger auditory cortex volume than musicians without the ability.