Guy Noble’s Soapbox: Structure and spontaneity
Having observed both classical and jazz musicians at work, Guy Noble weighs up the similarities and differences.
Having observed both classical and jazz musicians at work, Guy Noble weighs up the similarities and differences.
A beguiling concert of rich textures and finely spun melodies.
Pipa virtuoso Wu Man, saxophonist Amy Dickson and cellist Johannes Moser are among the guests on Artistic Director Kathryn Stott’s second Festival program.
Michael Fabiano makes a promising role debut, but the real star is Elena Maximova's vividly realised Charlotte.
Musical wizard and friends recreate the soundtrack to baroque music's greatest film.
Wynton Marsalis and David Robertson deliver a special concert, and not the kind of program we hear often.
Pianist Ying Ho and cellist Jonathan Békés's extraordinary recital was a gift.
With the orchestra’s lease at Circular Quay ending in December and delays to new studios in Pier 2/3, the orchestra will have to find a new home in 2020.
Returning to perform in Opera in the Market after a decade, the soprano discusses what it's like to work with young singers, her artistic ethos, and the joys of audience reaction.
Not only the celebration of a remarkable life, but a celebration of human life with music at its heart.
First presented to Dame Joan Sutherland, the Opera Australia Trophy recognises Moshinsky’s service to the company and contribution to Australia’s operatic landscape.
A gritty evening with Brahms reveals a theatrical pearl.
A musically excellent, perceptively designed and directed production of Wagner’s final opera.